Archive for the ‘1960s’ Tag

Monthly Round-up: February 2018

(Cross-posted on the WriteClub blog)

On 1 February, I went in for surgery.

Since then I’ve been at home recovering, so February is pretty much a write-off. However, it’s been very cold while I’ve been off, so it’s not been a bad time to be stuck indoors. And by the time I go back to work, which I hope will be next week (pending doctor approval) it will be daylight when I leave the house.

That said, there are a few things to report this month.

OUT NOW/COMING SOON

I’m pleased to announce that my story ‘Morgan’s Father’ is included in the Women in Horror edition of the SIREN’S CALL e-zine. This issue is completely free to download as a PDF and is chock full of horror stories by women, so download your copy now.

In other news, we don’t yet have a release date for OUTPOST H311, but the onus is on me at the moment since I’ve had the edits back and I’m working through them. And it’s taking rather longer than I was expecting. Partly that’s due to being on sick leave. For the first two weeks following surgery I couldn’t really do much except lie about reading or watching TV. No concentration for anything else. However, this week I’ve been making progress with the edits, so hopefully there’ll be more news on this next month.

PUBLICITY

I contributed to Mark West’s Stephen King mixtape, which appeared on his blog on 26 February. This was a post including a long list of writers talking briefly about their favourite King story. I chose ‘The Breathing Method’.

WORK IN PROGRESS

I haven’t worked on any WIPs for a while, what with surgery getting in the way and all. So the current status is unchanged. There are two current works in progress:

A WHITER SHADE OF PAIN: a crime thriller set in 1967 which is a collaboration with my husband. We plotted the book together, then I wrote Draft 1 and he started on Draft 2. The latter isn’t finished yet, but I’ve taken it back to make further changes to the amended chapters. So I suppose it’s currently on Draft 2.5.

DEADLY SUMMER is the fourth Shara Summers novel, which takes my intrepid sleuth to New York City when she gets a job in a US soap opera. I am about a third of the way through the first draft. I halted work on this when I started writing OUTPOST H311, and I haven’t got back to it yet.

That’s all to report this month. I anticipate that by the end of next month, spring will have sprung. But you can never tell, with British weather.

 

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Monthly Round-Up: January 2018

(Cross-posted on the WriteClub blog)

I really hate January. It has no redeeming features. It’s dark, cold and wet, everyone is broke after Christmas, there is nothing to look forward to and as I never see daylight during the working week it’s the month my SAD seems to hit the hardest so I spend most of it feeling depressed.

Hence, I am always glad to see the back of it. Happily, we are now out of January and there are a few things to look forward to in the coming months as there is news to report.

COMING SOON:

I am pleased to announce that my previously-published story “Morgan’s Father” (most recently available in the collection SOUL SCREAMS) is to be published in the forthcoming ‘Women in Horror’ edition of the ezine SIREN’S CALL.

My new horror novel OUTPOST H311 is currently with the editor, and will be released later this year from KGHH publishing. I will let you know when I have more news regarding release date.

PUBLICITY:

I’ve been a bit quiet on this front of late, and there’s nothing to report at the moment, but there are a couple of things I’ve been working on and I hope to have something to report soon.

WORK IN PROGRESS:

With the horror novel finished I’ve been trying to figure out what to work on next. I’m back at work on the collaboration with Hubby, which has been a somewhat long-running project. It’s a crime thriller set in 1967, about a young woman with a dream to play bass in a band, who gets caught up in the heady world of London gangs and the rising music scene when she searches for a friend who’s disappeared.

The fourth Shara Summers novel is about a third of the way through draft 1, but I have not done any work on it for 12 months. I am still in two minds as to whether to carry on with this series. I enjoy writing it, but it’s not selling, and is there any point in carrying on with a series people don’t want to read?

As we move into February and the days start to get lighter, things start to look brighter. Join me again at the end of this month to see what it had in store!

The End In Sight

(Cross-posted on the WriteClub blog)

I got the early train into London this morning for an early-morning Starbucks writing session – something I have not done in a while, it must be said.  In fact looking at my writing log made me realise the last writing session was dated 16 April – over a month ago.  I will say at this point I am rather anal about logging my writing sessions, noting word count and date of every one.  It helps me keep track of my monthly word count, and also how long it takes me to finish each draft.  But it also makes me aware of how long it’s been since the last session.

Why the gap?  The end of April and beginning of May was manically busy in the day job, and I was also working on edits for both DEATH SCENE and DEAD COOL, which made it hard for me to get my head around working on the WIP as well.  And then I was away for two weeks.  I did actually take the Netbook away with me, with the idea that if it was raining I might get some time to sit in the hotel room and write, but well…the weather was glorious and the writing didn’t happen.

Anyway.  Now I am back home again and trying to get back into my usual routine, including the early-morning writing sessions.  The current work in progress is the 1960s crime thriller, and this morning was a good session.  I’ve been wrestling with the climax of this one, but now I feel that the end is in sight.  The novel still needs a great deal of work – I am not deluding myself about that.  But I am nearing the end of the first draft.  And I’ve always seen the first draft as putting the scaffolding in place.  Once you’ve got that, you can start the real building work.

The main issue with this novel will be research.  It’s set in 1967, and spans San Francisco, London and Vietnam.  This is not an era I was alive to witness, but there are plenty of people around who were, and they’ll notice if I get it wrong.  The parts of the novel set in Vietnam – which is effectively the final section of the story – is proving particularly tricky.  This was a very emotive point in history.  In particular I want to know what Long Binh looked like in 1967.

Research has never been my strong point, and I’ve never let a mere thing like getting the facts right stop me from getting stuck into the first draft.  Of course, this generally means a great deal of changes between the first draft and future drafts.  Fortunately, the Internet has made doing research a great deal easier than it used to be.  A quick search has revealed that there are a lot of personal accounts and photos from soldiers who lived through the Vietnam war are out there in the public domain, and careful research will help me ensure I get it right.

For me, the most important thing is to get to the end of draft 1.  I’m not there yet with this WIP.  But I can just glimpse the light at the end of the long tunnel.

After that, the real work starts.  Doing the research, getting the facts right, sorting out the plot holes, working out what’s not working and what’s not in the novel that should be.  But all that will come later.  For now, I’m focusing on getting to the end.  And I feel like I’m almost there.

Burns Bass

WP_000171This is my Burns bass. It’s a 1962 Vista Sonic Sunburst. It used to belong to my dad, who played bass guitar in a band in the 1960s. He told me he bought it in Tin Pan Alley in London, one day when the neck of his previous bass broke and he needed to find a new one in a hurry because he and the band had a gig to play.

When he found out that I was learning to play bass, he gave it to me, as he hadn’t played it in years. For that reason, I will never sell it.

It’s a bass with attitude. It’s heavy, and it’s loud. I have yet to find a proper gig bag that it fits in, because it’s got a long neck and a big headstock. It’s older than me, and probably in better condition.

Note the sticker of the dude playing guitar. If you think he looks a bit 1970s, you’d be right. When I was about eight years old I had a book of stickers, for colouring in and sticking on things. I coloured in the guitar dude, and dad asked if he could have it. He stuck it on the Burns, and it’s been there for the last 35 years.

Whenever I take the bass out on open mic nights it always gets attention. Proper rockers know what it is, and that it’s rare.

So the bass is something special. I wish I could say the same about my playing.  But I’m still learning, and I’m learning right-handed in spite of being left-handed (as it happens you need both hands to play bass guitar, but I might tell that story some other time). I do open mic nights with Hubby, and our friend Julia, who does vocals.

I’m going to leave you with a video of an open mic performance from earlier this year, in which I do my stuff on the Burns. This is a rendition of Mudcrutch’s “Lover of the Bayou”. And on this one, Hubby does most of the vocals.

Yes, I know I look very serious. I was concentrating hard.

On A Roll

(Cross-posted on the WriteClub blog)

With two finished novels out on sub, it was time to begin in earnest a new project.

I’ve mentioned in passing a collaboration with Hubby. Who, it has to be said, is not a writer. However, after 30 years of running Dungeons & Dragons games, he’s become very good at plotting – especially with our group, who frequently decide to go off and do something that’s not actually in the module, which means he often has to do some spontaneous plotting to keep the game going.

The WIP is a crime thriller set in the late 1960s, and is about a young woman with aspirations to be a rock musician. The novel takes her from California and the Monterey pop festival in 1967 to the emerging and influential music scene in London. On the way she gets mixed up with gangland London, in a search for a friend who’s gone missing.

This project is in its early stages.  Hubby and I have been working together on the plot outline, and I’ve been doing the writing thus far. Though I am relying on his expertise on references to bands and songs of the late 60s, and what make of guitar bands of the time would be playing, as he knows a lot more about this than I do.

Thus far I’ve been struggling with the first draft. The first 20,000 words took months to write, and I was struggling to find the voice of the main character.

But suddenly, I’ve found the story and the character, and the novel has become much easier to write.  In the last two weeks I have written as many words as I did in September and October combined.

The project is in its early stages, and I am reluctant to say too much about it as anything can happen between now and the end of the book. But thus far it’s going well. I am on a roll.

Here’s hoping it continues.

WIP Update – March 2013

(Cross-posted on the WriteClub blog)

Time for an update on current Works in Progress.

I’ve got several things going on at the moment. The most progressed WIP is the horror novel. It’s been to beta readers, I’ve had feedback, and I have recently started work on Draft 4.

This novel, in summary, is about a group of live action roleplayers who unwittingly unleash a lich on the world during a game. Said lich wields powerful dark magic, and leaves death and destruction in its wake. And it sets about raising an army of zombies, as sort of a sub-plot. Anyway, on the whole the feedback was fairly positive. All my women beta readers love my main female character – she’s a crack shot with a shot gun, she’s ace with Resident Evil, she takes out many of the real-life zombies and she saves the boy.

There are some plot holes, and some characterisation issues, and these I am working to fix in the current draft. But I’m feeling pretty confident about this one. This one will be finished before the end of this year. In fact, I’m aiming to have it out on sub before 2014 dawns.

In the meantime, there’s a second project – a collaboration with Hubby. Now, he’s not a writer. But after more than 25 years of running D&D games, he’s pretty good at plotting. And he’s a musician. This new project is a crime thriller featuring a young female bass player, against the backdrop of the music scene in the late 1960s. We start her off at the Monterey Festival in 1967, and then bring her to London. This project is at an early stage. We’ve been doing a lot of the plotting together. And I have started doing some of the writing. But there’s a long way to go yet, and since I’ve never collaborated with my life partner on a writing project before, it’s somewhat uncharted territory.

And what of Shara 2? Well, that one’s still languishing in a drawer. I got a bit discouraged after the crit session. Every time I get it out and review how much work there still is to do on it, I get depressed and put it away again. And DEATH SCENE has not exactly been flying off the cyber-shelves, so it’s not as if I have a long queue of fans impatiently waiting for the further adventures of Shara Summers.

Nevertheless, she has one or two fans. And I would rather like to get this one finished. So perhaps I’ll finish it for you. You know who you are.

This does make three WIPs on the go at once, however. And talking about them doesn’t make them any closer to being finished. It’s time to get back to the writing.