Archive for the ‘writing’ Tag

Monday’s Friend: Sarah E Smith

Today’s guest is fellow KGHH author and crime writer Sarah E Smith. Welcome, Sarah!

Inside the Mind
By Sara E Smith

A couple of months ago, Sara asked me to blog about my processes, and whether it’s changed as I’ve developed as a writer. So I thought I’d explain how I do a whodunnit and why Byrd books are taking much longer to write than the Secret of Aldwych Strand did.

For mesarah e smith (2), writing a time travel trilogy was like falling off a log. Mark and Lucy’s story oozed from every pore. Tumbling like a river in flood; desperate to reach the world. This new set of books is best compared to wading through treacle without waders.  Symington, Earl Byrd,  my latest creation for KGHH publishing, is a gentleman detective; living and working at the start of the 20th century. His world is dark and dangerous. His opponents vicious, clever, and always one step ahead. Hence the treacle. I had to rethink how I wrote; had to become more methodical. Plot more, think more. Draft and discard more.

You see whilst I know exactly who the murderers are and why they have committed such heinous crimes, these tales aren’t put together from chapter one to chapter last.

Right from the beginning, before you write the words Chapter One, it’s important to know who the murderer is and why their victim, or victims, had to die. So, I write the murderer’s confession first. You know the drill: “Of course, I murdered Major Plumb in the Study with the lead piping…” and in early draft, this section always ends with: “And I would have got away with it, were it not for you pesky kids.”

After establishing the who and why, I write the first murder and continue up to the point where Byrd shows how clever he is by examining the evidence at the crime scene.  Then I stop, and write Byrd’s final speech to the suspects: “I’ve called you all here today to…” This allows me to establish the red herrings,  and the lies these people need to tell during the rest of the tale in order to make them possible murderers.

From then on it’s pretty plain sailing. Get the rest of the main story written predominantly from Byrd’s perspective – except when 3rd person or another POV is needed; meet and interview the suspects; and then kill off at least one more person. This done, it’s time to open the files: “I called you all here today” and the “Pesky Kids”; copy and paste them in, and job jobbed.

Except of course it’s not.

It’s at this point I realise I’ve  missed out one motive,  or forgotten to murder someone. In the worst case (as at the moment with his second book) the plot’s twisted in on itself and the universe will implode. So back I go and change, rewrite, and add until I’ve had enough… and never want to write a murder mystery again.

SB COC NEW MASTER COVER (2)So

Am I

Finished?

No!

Because as I read this draft through, it becomes blindingly obvious there’s no badinage and interplay between Byrd and his bizarre entourage: cousin CC (a chief inspector with Scotland Yard); Sampson and Watkins his servants. There’s no sub plot; no tantalising glimpses into the central characters past – or present.  By this point I also realise the history is missing. Those passing references to the events of the early 1900’s, which I must include, or burn in the fires of inaccuracy. So, after a short temper tantrum, I add those bits, and send it off to the editor before I make any changes … or throw any more toys out the pram.

At this point peace descends. A short month(ish) truce broken by an email from the editor. This reveals: gaping plot holes and an ending that doesn’t make sense; sections of text which drag, she doesn’t like or are a pile of poo – my words. It’s also now I realise, that some of the voices are too similar. A constable on the beat speaks like a toff. Byrd doesn’t have enough whimsies and mannerisms, and the least said about Sampson and Watkins the better.

Eventually though, the final product emerges and it’s over to you dear reader for your verdict…

twitter pics1 (2)

 

ABOUT THE AUTHOR:

Born in Plymouth in 1967 to a naval family, Sarah never wanted to go down to the sea in ships, she wanted to travel in time. For some people this would be a daunting challenge. For Sarah it was easy. There were three ways to do it: stow away in the TARDIS, study History and write a book. The last two were achievable, and she may not have travelled in the TARDIS, but she did once travel in a Mini Metro with Tom Baker, the fourth (and for those of us of a certain age, the best) Doctor Who.

Learn more about Sarah and her writing on her website, her blog and her Amazon page, or follow her on Twitter.

 

BOOK LINKS:

Meet Symington Byrd. Playboy. Gentleman. Detective.
viewBook.at/COC

For the Time Travellers out there: the Trilogy is complete:
getBook.at/CompleteTrilogy

 

 

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The Ten Commandments of Writing #10: Thou Shalt Never, Ever Give Up

(Cross-posted on the WriteClub blog)

I get quite cross with people who imply that I write ‘for fun’. Or ‘for pleasure’. This generally comes into a conversation where I’m trying to explain why the writing is not my full-time profession. I’m trying to explain that I don’t make enough money from the writing to do it for a living, and so they say, “oh so you do it for fun then.”

There is nothing fun about writing. Yes there are moments of exhilaration, like when the WIP is going well and words are flowing, when you’re in that stage when you can re-read the words you’ve written and think to yourself, “actually this is pretty good. And I created it.” But you know this is going to be followed by a period of crashing self-doubt, when you are absolutely convinced that everything you’ve written is a steaming pile of turds and you should give up deluding yourself that you’re a writer and go and spend your time watching TV instead. This bit of the process is not fun. Neither is the constant lurching from self-confidence to self-loathing that I am convinced absolutely every writer, no matter how successful they are, experiences.

No, we don’t do it for fun. So why do we do it? It’s more a need, an urge. We need to write to keep on living, the same way we need to breathe.

You need to remember this once you have accepted the fact that you are a writer, because the road will not be smooth. There will be rocky patches. There will be times when you want to crawl under the bed covers and never come out again. Every time you submit something to an editor, you will spend the next few hours, or days, or weeks, on tenterhooks. You will be checking your email every two minutes to see if you’ve had a response yet. When you discover there isn’t one, you will experience conflicting feelings of disappointment and faint hope, because no response at least means no rejection. Yet.

And then when the email finally comes you’ll be afraid to open it, trying to put off the inevitable rejection and the crashing self-doubt that follows for as long as possible.

But then one day it won’t be a rejection. It will be an acceptance. And it will all be worth it. On the dark days, it can be tempting to just pack it all in. But it’s important to keep on going. When each rejection comes, give yourself a few days to pick yourself and dust yourself off, and then send the story back out into the world again. And carry on working on the next one. Whatever you do, you have to keep at it, because being a writer is in your psyche and no matter how hard it can be sometimes, it will always be who you are.

 

 

 

The Ten Commandments of Writing #9: Thou Shalt Not Be Afraid to Pimp

(Cross-posted on the WriteClub blog)

Writers are, by nature, solitary creatures. We are not comfortable in crowds. So it’s sadly ironic than nowadays we are expected more and more to get involved in marketing our books. To be expected to do readings and interviews. Most writers tremble in fear at the thought of facing a crowd of people.

The days of the writer holing themselves up in their garrett writing, never seen by the public, while the publisher’s minions run around selling books for them, are, by and large, over. Unless you land a deal with one of the major commercial publishers who have a publicity department – and even then you’ll have to turn up to signings and promotional events they arrange – you will be expected to play a proactive role in marketing. So, set aside your fear of being the centre of attention and get used to pimping yourself.

Every writer should have, at the very least, a blog, a web page and a Twitter account. Many people assume there’s no point in setting up social media accounts until they’ve got a publisher, but there is an argument for getting yourself out there and setting up accounts before you’re published, and at least by the time you’ve got something to sell you’ve built up a following of people who may be willing to go out and buy your book.

None of these things have to cost any money. You can set up a blog on Blogger or WordPress in a matter of minutes, just by choosing a template. There are several free templates available for websites too, that don’t require any programming skills (the one I use is Weebly). Set up a Twitter account and start Tweeting about things that interest you, using hashtags to connect with people who have similar interests. Never underestimate what aspects of your life that you take for granted someone else will find interesting. I take the train into London every day and shuffle around the capital with thousands of fellow commuters, and I’m half asleep when I do it. But occasionally I am reminded that to people that don’t live in London, this is an endlessly fascinating city.

As a writer you obviously want to talk about your writing, but don’t be that person that only ever Tweets ‘buy my book’ because that turns people off really fast.

My most important piece of advice for when you are published? Get yourself some business cards, with your name, your website, an email address and if possible, an image of your book cover. Take them with you everywhere you go, because you never know who you will meet. I have handed business cards out to people on mountains in Peru, and in deserts in Arizona. Every time I get chatting to strangers when I’m on holiday, if I have cause to mention I’m a writer, and the person replies, sounding interested, “oh, what do you write?” I will hand them a business card.

And I learned this lesson the hard way. In 2010, just after the first book came out, I went to the Horror Con in Brighton. I’d packed postcards, and business cards, but we headed down on the train after work, and when we reached the hotel we discovered there was a party in a bar on the pier, which had already started, so we dumped our luggage in the room and headed straight there. Then we discovered it was a free bar, so of course that’s where everybody was. And I had so many occasions to hand out my cards and tell people all about my new book, but they were all back in the hotel room. I’ve never made that mistake since.

Once you’ve got that book deal, there are other things you can do to promote yourself. Host guest posts on your blog site featuring other writers, and get them to host you on their site. It’s mutually beneficial to both host and guest, and it doesn’t cost anything to do it. Go to conventions – as many as you can afford – to meet up with other writers, readers and publishers in your genre. When the call for panels goes out, volunteer for one. Most calls for panel volunteers also ask you to list what sort of panels you want to see, so think realistically about what you could feasibly talk about. Short fiction? Cross-genre fiction? Independent publishing? The road to publication (no matter how far along it you are)? Throw out any ideas you can – you never know what might inspire the panel organisers.

You should also try contacting your local paper and your local book shops to see if they are interested in promoting you, but this is very hit and miss. I had some success with the former, but if you’re with a Print On Demand (POD) publisher, getting your book into book shops entirely depends on the shop’s buying policy. I have found that in the UK, a lot of book shops aren’t interested in taking anything they can’t buy on a Sale or Return basis, and that’s generally not possible with POD. But still, it doesn’t hurt to ask. You might discover that the manager of your local bookshop is an advocate for small presses and is agreeable to organising a signing with you.

In short, do what you can to pimp yourself, when you can. And there will be times when it all seems like a great deal of effort, and when the royalty statement comes in and you haven’t sold much, you will wonder why you bother. But marketing is all part of the process of being a writer, and it’s something that we all have to participate in to a certain degree, no matter how disagreeable it might be.

Doing It For Fun?

(Cross-posted on the WriteClub blog)

It’s sometimes hard to explain, to a non-writer, why I write. The confusion generally comes when the non-writer discovers I am not a full-time writer. “So it’s a hobby,” they say. “You do it for fun.”

I can’t explain that it’s not a hobby – more a need. And most of the time, it’s not fun. It’s not fun to experience the crushing self-doubt that arrives on a regular basis and convinces me that every word I’ve ever written is complete rubbish. Or that feeling of rejection that comes with every email beginning, “thank you for sending us your manuscript. We regret to inform you that it will not fit our list at this time.” Or, for me, getting up at 5:20am to write before work when really I’d much rather have an extra hour in bed.

Generally when such conversations come up I have to start by explaining that much as I would love to write full time, it’s not economically feasible. It doesn’t help that these conversations are generally with people who are not only non-writers but pretty much non-readers. They might have read Harry Potter, or Fifty Shades of Grey. So they think ‘writer’ and JK Rowlings and EL James spring to mind. And they’re rolling in it, so all writers must be loaded, right?

My last royalty statement was for all of £5, and that represented a year’s worth of sales. I am so far away from being able to make money from the writing that it seems an unobtainable goal. Giving up the day job is simply not an option because I have no other form of income.

At times I get completely overwhelmed. I leave the house at 6:20am so I can write before work. I generally don’t get home before 7pm. I have French lessons and bass guitar lessons and admin stuff to deal with like emails and blog posts. And this is before we get to household stuff – laundry and remembering to pay the credit card bill and so on. Sometimes I get to a point when I feel I just can’t cope with it all any more.

Logically, the thing to give up is the writing, because I kill myself trying to do it for no apparent reason. But even the mere thought of doing so makes me die inside.

And that’s really why I write. Because I need to do it to keep on living. Not writing is as unthinkable to me as not breathing.

It may be I never manage to make enough money from the writing to give up the day job. But I will, somehow find a way to fit it into my life because there’s just no other option.

Monthly Round-up: April 2017

(Cross-posted on the WriteClub blog)

Time, as they say, waits for no one. A third of the year has already gone. However, the best thing about this time of year is that I actually see my house in daylight during the week. Technically, it’s spring. But I think someone forgot to tell the weather that, as the temperature in the UK has been more winter-like the past few days. Some places even have snow. Anyway, enough about the weather. On with the news.

OUT NOW/COMING SOON

Seven years ago this month, my first novel was published – SUFFER THE CHILDREN was released in e-book format by Lyrical Press. It marked a major turning point in my life, fulfilling a dream that I had chased for thirty years. And now the book is available again, from a different publisher. If you haven’t yet read the book that started it all for me, you can buy it here from MuseItUp Publishing.

Coming up to the present day, I have been in touch with my editor and the edits for SPOTLIGHT ON DEATH, the new Shara Summers novel, will be underway shortly. I’m still optimistic for a 2017 release.

PUBLICITY

I’ve been a bit quiet on the publicity front of late. It’s now been nearly a year since anything new came out, and I always feel it’s difficult to plug a new book when it’s not really new at all.

I did run another Goodreads giveaway for THE WHISPERING DEATH, however, that finished on 15 April. The winners were: Rachel Sanders in Sutherland, and Adam Bradbury in Surrey. Their prizes were posted last week, and indeed should be in their hands by now. The plan is to run some more Goodreads giveaways between now and October, so if you’re still interested in winning a copy of this book, keep an eye on the Goodreads page.

I’m a bit light on the convention side of things this year as well. However, that’s largely because I’m going to Bouchercon in Toronto in October, and not only is that a con that requires an international trip, it also clashes with most of the other cons I generally go to (FantasyCon and Bristol Horror Con, to name two). But I’ve been wanting to do Bouchercon for years, and with it being in Toronto it gives me a good reason to go visit family and friends in Canada at the same time.

WORK IN PROGRESS

The new horror novel, OUTPOST H311, is going well. I’ve agreed a deadline with my publisher at KGHH on this one, and it’s full steam ahead.

That’s it for now. I’ve got to get on with the writing!

Monday’s Friend: K.T. McQueen

Today I am pleased to welcome fellow horror writer K.T. McQueen to the blog, with some thoughts on the crazy habits of writers. Over to you, K.T.!

Over the past few years I must have driven friends, family, and neighbours mad, with my songs on repeat, conversations out loud, and ludicrously vague scene ideas. It’s fair to say I’m not always at my computer bashing out the next 2000 words. Sometimes I’m walking around the kitchen, coffee in hand, having a made-up conversation with an imaginary character. Other times I’m blasting a song on repeat that I’ve already played 20 times, just to find the feel of the scene. And I’ve learnt that those weird little habits are important parts of the writing journey.

Be the character you’re writing and read the conversations out loud. Pretend it’s the movie version and you’re playing the lead – do people really talk like that? This isn’t about finding the mistakes in your work, this is about making the character’s sound real.

Music can be the inspiration, the lock, and the quickest way to get back into the same scene. A song can spark an idea, the beat, the feel, the words. It can lock you into the scene you’re writing until you’ve got it done. And it can bring you back to the scene when you’ve had a break from writing – even if only to grab a few hours’ kip.

Sometimes asking the dumb questions gets you clarity on an idea. For example, I once asked what people thought would happen if the earth began orbiting the sun at a greater distance. It sparked quite a long and interesting conversation and provided loads of ideas for the book I was writing.

Nurture those crazy habits, they’re part of your creative process – whatever it is you do.

K.T. McQueen

Blurb from THE SOUL GAME

Would you ever play a game that risked your life? What about your very soul? If you play you pay. The Soul Game at its core is a love story – a messy, twisted love story.

When the one true Prince of Hell loses the love of his life he must risk his soul to win her back. “This game will teach you things about yourself you could never imagine, it’ll show you darkness, desire, fear, pain and you’ll embrace it all for the love of the game.”

The Soul Game is K.T. McQueen’s third novel published by KGHH Publishing. Like its predecessors, Whispers on The Hill and Skin Side Out, it will leave you breathless.

Buy Links:

Amazon UK

Amazon US

Author Bio

Coffee loving, cowboy boot wearing, cactus owning, author of horror. K.T McQueen writes horror novels with one goal – to remind you that no one is coming to save you. Learn more about K.T. from her blog, or follow her on Twitter.

 

Monday’s Friend: Chuck Bowie

Today I’m pleased to be doing a blog swap with Canadian writer and fellow MuseItUp stable mate Chuck Bowie.When you’re finished here, hop on over to his blog to see what I have to say about re-writing.

But for now let’s give a big welcome to Chuck!

Oh, Those Oh-So Predictable Lines!.
By Chuck Bowie

‘Either write something worth reading or do something worth writing.’
Benjamin Franklin

You’ve had that first sniff at success, be it a completed story or a published novel and now, armed with confidence, you open a blank screen and begin:

Chuck‘It was a dark and stormy night.” So far, so good. That familiar ring upon re-reading those six words suggests you’re onto something, so you proceed. The words flow, and you get your thousand words on that first day, and it feels good.

That evening, watching one of those Sunday evening movies, you put on your writer’s cap and analyze each scene as it unfolds. You nudge your partner. “Behind the door is the librarian. She’s gonna be holding a gun!” And Lo! That is exactly what happens. With a tone of admiration, your partner says “I can’t wait until your story is written. You won’t be as predictable as this show, right?” And you nod your head. Of course you won’t.

The next day, you write another thousand words, and by Friday, you have five thousand words in your story. It’s very exciting. On Monday, you begin the day by reviewing the twenty written pages, and you realize something. Those first six words sound familiar, because you’d read them, a long time ago. From someone else’s work. Concerned, you speed through the paragraphs, noting tired lines, too-familiar lines, and ‘lazy’ lines: the ones you wrote because they were ‘good enough’.

Well, good enough isn’t good enough.

With that having been said, do you throw up your hands and give it up? Should you chuck it and start over? Perhaps. But, hidden within the dross, is there a really fine sentence, or line? Does one (or more) of your paragraphs really push your story along? Does one of your sentences, however awkwardly it was constructed, reveal something true about your character, or the scene, or the description?

Well, then. You now have options. You can begin to fix things, cutting lines like a machete through tangled Amazonian greenery. Or you can, of course, always purge and recreate. Might I suggest a third option?

Keep going.

Writing is re-writing, to coin a phrase. But just before re-writing, is the writing part. That’s where you are right now, staring at your twenty pages of not-good-enough work. If your plot is intact, your characters are unfolding, and your setting has been set, keep on going. Make minor adjustments as you travel down this path, but keep up your pace. All too soon, you’ll get to the re-writing phase. Engineers have this expression: ‘First direction, then velocity.’ Let this be your mantra. Get your plot rolling before worrying too much about details you can refine later.

Unless.

Unless everything you’ve written is derivative, too familiar or just plain old copied from somewhere. This is not good. Shakespeare says there is nothing new under the sun, but this does not give the writer license to take whatever they want and call it their own. So be tough on yourself, once you’ve entered the rewriting phase.

You may recall me mentioning to keep going. And I also noted there’s not much about the human condition that hasn’t already been experienced (and in some way documented). With these in mind, it is absolutely critical to have an interesting story to tell. If it isn’t worth telling, or if it’s been told to death—and by better writers than you and me—then perhaps this isn’t your story to tell.

StealItAllCover180116 (2)Writing is hard work. The average book of fiction takes 80,000 words times twenty re-writes totaling 1.6 million carefully studied words. Do not put yourself through this if you aren’t going to commit to the best possible effort. This includes offering the best plot you can imagine, and a strong re-write can help. Do not, above all else, be predictable. Samuel Johnson wrote the most scathing review I ever read. It went like this: ‘Your manuscript is both good and original, but the part that is good is not original and the part that is original is not good.’

Don’t be that writer.

Author bio:

Chuck Bowie writes international suspense-thrillers from his Fredericton, New Brunswick home. His third novel, STEAL IT ALL drops in paperback this fall.

Find out more about Chuck from his website, or by following him on Twitter.

 

 

Monday’s Friend: Judy Penz Sheluk

Today I’m pleased to welcome mystery writer Judy Penz Sheluk to the blog.

SJT: So you hail from Canada, like my amateur sleuth. What do you think makes Canadians stand out from other nationalities?

Judy Penz Sheluk (2)JPS: I don’t know that we do, or perhaps if we do, we’d rather not, preferring to keep a low profile (although our current Prime Minister, Justin Trudeau, and his wife, Sophie Gregoire Trudeau, don’t seem to be particularly camera-shy!)

Canada, and by definition, Canadians, are changing, especially in the major urban centres, which have become very ethnically diverse. Toronto, where I grew up, has changed dramatically over the past two decades. Once quite one-dimensional, it’s now a huge International melting pot. If there’s a food you’re hankering for, you’ll find the real deal in Toronto, from Vietnamese to Indian and everything in between. I’m not sure if that’s so different from any other major city. Probably not.

I think, though, as Canadians we are often compared with our neighbours to the south, and there is a difference. One thing that always makes me laugh is the way we look at travel. A Canadian going to the U.S. will say, “I’m going to Chicago or New York, or Miami or Dallas.” An American will say, “I’m going to Canada.” Doesn’t matter if that’s St. John’s, Newfoundland or Vancouver, British Columbia. I suspect the same would hold true for travel to the UK. A Canadian would say, “I’m going to London or I’m going to the Cotswolds.” An American would probably say, “I’m going to England.”

SJT: When did you first know you were destined to be a writer?

JPS: Destined? I’m not sure if it was destined, but always knew I wanted to write (although it took me years to do anything about it). As a kid, I used to make up stories in my head all the time. I’d have a storyline going on for a couple of weeks, like a TV series, until it came to an end. Then I’d start another one. I always thought everyone did that. I found out later that’s not the case. Part of it is because I was an only child of very strict immigrant parents (they emigrated from post-war East Germany (mom) and then-Yugoslavia (dad) to Nottingham, England, where they met…and then to Toronto in the 1950s, when they married). They were both teenagers during the war, and I think the memories made them a bit overprotective. Anyway, I spent a lot of time in my room, reading Nancy Drew and L.M. Montgomery, and making up stories in my head. Put like that, I suppose it sounds quite horrid, but it wasn’t. I loved going to my room and sometimes I’d purposely get into trouble so I could go there to be by myself. I still value my alone time. I can be social, but I’m happiest in my office, writing stories, my dog under my desk.

hanged mans nooseSJT: Who would you cite as your influences?

JPS: Agatha Christie had a profound impact on me. I read every one of her books (including her six romances penned under the name of Mary Westmacott) during my teens/early twenties. I always knew I’d want to write a mystery, when I was ready to start writing.

Truman Capote. His book, In Cold Blood, was nothing short of spectacular. In a time when there were no 24/7 news cycles, Capote captured the horrific murder of the Clutter family, and he humanized murderers Perry Smith and Dick Hickock while doing so. I can remember reading it as a young girl and thinking, “Wow, that’s how you paint a picture with words.” I’ve reread it as an adult, and while it doesn’t pack the same punch today (we’re so desensitized to violence), it’s still beautifully written. One of my favourite movies is Capote, starring the late Seymour Philip Hoffman. Hoffman won an Oscar for his portrayal of Capote and it was well earned. If you haven’t seen it, you must.

SJT: Have you always written mysteries, or have you ever ventured into other genres?

JPS: I wrote a few “literary” stories in the early 2000s. That’s when I first started trying to write and started taking workshops. Three of those flash fiction stories were published in THEMA, a literary publication out of New Orleans. I self published the collection on Kindle (Unhappy Endings) earlier this year.

Once I started to write mystery, however, I never looked back. It’s my go-to genre to read, and reading is the best teacher. I also want to write stories that I’d like to read.

SJT: What advice would you pass on to beginner writers that you wish someone had told you when you were first starting out?

JPS: I always quote Agatha Christie when I’m asked this. “There was a moment when I changed from an amateur to a professional. I assumed the burden of a profession, which is to write even when you don’t want to, don’t much like what you’re writing, and aren’t writing particularly well.” It’s the best advice I can offer. If you decide to wait for the muse to pay you a visit, you’ll grow old without a single word on the page!

SJT: Tell us about the new book.

JPS: I’m ridiculously excited by it, and it’s gotten some amazing advance reviews. It’s very different than The Hanged Man’s Noose (my first novel, July 2015), which is told in third person, multiple POV. Skeletons in the Attic is told in first person, one POV. Here’s a brief synopsis:

Skeletons in the Attic Front Cover (2)What goes on behind closed doors doesn’t always stay there…

Calamity (Callie) Barnstable isn’t surprised to learn she’s the sole beneficiary of her late father’s estate, though she is shocked to discover she has inherited a house in the town of Marketville—a house she didn’t know existed. However, there are conditions attached to Callie’s inheritance: she must move to Marketville, live in the house, and solve her mother’s murder.

Callie’s not keen on dredging up a thirty-year-old mystery, but if she doesn’t do it, there’s a scheming psychic named Misty Rivers who is more than happy to expose the Barnstable family secrets. Determined to thwart Misty and fulfill her father’s wishes, Callie accepts the challenge. But is she ready to face the skeletons hidden in the attic?

SJT: What do you like to do when you’re not writing?

dogJPS: I love being outdoors. In the summer, I golf in two ladies leagues. Only 9 holes, more because of time than anything else. I’m a runner. I’ve done four marathons, and a bunch of half marathons, 30ks, 10ks etc. These days, I’m not training for anything in particular, so I’ll run 5k three times a week. You can always ramp back up (though it does get harder as you age up!). I also enjoy walking my ten-month-old Golden Retriever, Gibbs. I’d like to get running with him, but his leash training needs to come a ways first. I’ve had Goldens most of my life. I can’t imagine life without a dog (although I would not miss the dog hair). I also enjoy going to our cottage/camp on Lake Superior in northern Ontario. It’s a far drive from where we live (8 hours) but it’s beautiful and a great place to write while my husband, Mike, does his man cave stuff (moving rocks, splitting firewood).

SJT: What’s next for you, writing-wise?

JPS: I’m currently working on the sequel to The Hanged Man’s Noose and hope to have that into the publisher this fall. I’ve also been asked to write a sequel to Skeletons, so that is a priority. And I’m planning a new series, novella-length. Another mystery series, but a bit more light-hearted. To quote Erica Jong, “When I sit down at my writing desk, time seems to vanish. I think it’s a wonderful way to spend one’s life.”

Thank you for having me.

Author Bio:

Judy Penz Sheluk’s debut mystery novel, The Hanged Man’s Noose, was published in July 2015. Skeletons in the Attic, the first book in her Marketville Mystery Series, was published in August 2016.

Judy’s short crime fiction appears in World Enough and Crime, The Whole She-Bang 2, Flash and Bang and Live Free or Tri.

Judy is a member of Sisters in Crime, Crime Writers of Canada, International Thriller Writers and the Short Mystery Fiction Society.

Find Judy on her website/blog at www.judypenzsheluk.com, where she interviews other authors and blogs about the writing life.

Find Judy’s books on Amazon: Amazon UK

 

 

Monthly Round-Up: July 2016

(Cross-posted on the WriteClub blog)

It’s the end of another month already. Where is this year going?

COMING SOON

SUFFER THE CHILDREN is being released (well- re-released) by MuseItUp Publishing on 9 August. It’s available for pre-order now.

SPOTLIGHT ON DEATH, the third Shara Summers novel, will be released some time in 2017.

PUBLICITY

I made a guest appearance on Barbara Ehrentreu’s blog on 24 July debating the merits of e-books v print books. Barbara wants to do a poll on this topic, and it’s not too late to stop by and post your views.

WORK IN PROGRESS

The WIP is really not going well. I am hoping to have something more positive to say next month.

And that’s about it for this month. Enjoy your summer, and I’ll catch up with you at the end of August.

Monday’s Friend: Luke Walker

Today I’m pleased to have on my blog once more British horror writer Luke Walker, to promote his latest release.

Hometown 129x198-page-001

SJT: Tell us about the new novel, ‘Hometown’.

LW: A small group of friends who’ve drifted apart since the suicide of another friend come back together after they’re all haunted by her in various ways. When they meet in their hometown to try and work out what’s going on, they’re transported to another version of that town. This side of their city is their friend’s grief, anger and pain made flesh. The group are trapped in this hell and the only way out is to find out why she killed herself. At the same time, the wife of one of the characters is searching for him in this world, unaware that someone else is hunting her.

luke walker mirror of the namelessSJT: Setting is always important to add atmosphere to a novel, and the title of ‘Hometown’ suggests that the town itself is a character. Is the town based on a real-life one, or does it come from the depths of your imagination?

LW: Funny you ask as the town did end up feeling like another character the more time I spent writing the book. Geographically and layout wise, it’s more or less my own hometown. I just amended a few bits to fit the story and obviously made it a nasty, frightening place. For the mood and description of the rundown, burned out wrecked city, I was inspired by the look and feel of the film Escape From New York. Kurt Russell isn’t in my book, of course, but that atmosphere is what I wanted to go for.

SJT: Who’s your favourite character in this novel?

Luke Walker Author PicLW: I tried not to have a favourite character as it’s an ensemble piece for the most part. Stu Brennan is the guy who still lives in the hometown and the first of the group to be haunted and realise something is very wrong – he might be the character with the most to lose as his wife is in our world, looking for him, and she has no idea of the threat she and their baby daughter face if Stu can’t get out of the underside of the city.

SJT: Which scene was the most difficult to write?

LW: The reasons for the suicide plotline were obviously deeply unpleasant; I had to go dark for that angle of the story, but I wanted to make sure it was all dealt with as honestly as I could and with the seriousness it deserved. There’s plenty of threat, violence, gore and all that fun stuff but the issue of the suicide dwarfs it all, I think.

SJT: What’s next for you, writing-wise?

luke walker die laughingLW: I’m close to finishing the edits on a new book called Winter Graves. Once that’s done and it’s ready to submit, I’m either going to look at an older book that was published a few years ago by a now defunct ebook publisher and see about doing it myself, or starting a new book involving a family of cannibals in the aftermath of an alternate history nuclear war. So I’m keeping it light.

SJT: What do you like to do when you’re not writing?

LW: I work full time and write a lot so there’s not a lot of time to do much else. If I’m not doing either, then I’m with my wife or friends, watching crappy horror films or trying to wade through my ever growing pile of new books to read.

BIO:

Luke Walker has been writing horror and fantasy fiction for most of his life. His novel Hometown will be published by Caffeine Nights in July 2016 while his novella Mirror Of The Nameless is published by DarkFuse. His collection of horror fiction, Die Laughing, is also available. Several of his short stories have been published online and in print.

Luke welcomes comments at his blog which can be read at http://www.lukewalkerwriter.com and his Twitter page is @lukewalkerbooks.

He is thirty-eight and lives in England with his wife and two cats.

HOMETOWN can be found on Amazon.